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Gabriella. A writer, asexual, alien queen who enjoys baked goods and classic cinema.

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Feb
26th
Sun
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spacettf:

Preview of a Forthcoming Supernova by NASA Goddard Photo and Video on Flickr.
Via Flickr: NASA image release Feb. 24, 2012 At the turn of the 19th century, the binary star system Eta Carinae was faint and undistinguished. In the first decades of the century, it became brighter and brighter, until, by April 1843, it was the second brightest star in the sky, outshone only by Sirius (which is almost a thousand times closer to Earth). In the years that followed, it gradually dimmed again and by the 20th century was totally invisible to the naked eye. The star has continued to vary in brightness ever since, and while it is once again visible to the naked eye on a dark night, it has never again come close to its peak of 1843. NASA’s Hubble Telescope captured an image of Eta Carinae. This image consists of ultraviolet and visible light images from the High Resolution Channel of Hubble’s Advanced Camera for Surveys. The field of view is approximately 30 arcseconds across. The larger of the two stars in the Eta Carinae system is a huge and unstable star that is nearing the end of its life, and the event that the 19th century astronomers observed was a stellar near-death experience. Scientists call these outbursts supernova impostor events, because they appear similar to supernovae but stop just short of destroying their star. Although 19th century astronomers did not have telescopes powerful enough to see the 1843 outburst in detail, its effects can be studied today. The huge clouds of matter thrown out a century and a half ago, known as the Homunculus Nebula, have been a regular target for Hubble since its launch in 1990. This image, taken with the Advanced Camera for Surveys High Resolution Channel, is the most detailed yet, and shows how the material from the star was not thrown out in a uniform manner, but forms a huge dumbbell shape. Eta Carinae is not only interesting because of its past, but also because of its future. It is one of the closest stars to Earth that is likely to explode in a supernova in the relatively near future (though in astronomical timescales the “near future” could still be a million years away). When it does, expect an impressive view from Earth, far brighter still than its last outburst: SN 2006gy, the brightest supernova ever observed, came from a star of the same type, though from a galaxy over 200 million light-years away. Credit: ESA/NASA

spacettf:

Preview of a Forthcoming Supernova by NASA Goddard Photo and Video on Flickr.

Via Flickr:
NASA image release Feb. 24, 2012

At the turn of the 19th century, the binary star system Eta Carinae was faint and undistinguished. In the first decades of the century, it became brighter and brighter, until, by April 1843, it was the second brightest star in the sky, outshone only by Sirius (which is almost a thousand times closer to Earth). In the years that followed, it gradually dimmed again and by the 20th century was totally invisible to the naked eye.

The star has continued to vary in brightness ever since, and while it is once again visible to the naked eye on a dark night, it has never again come close to its peak of 1843.

NASA’s Hubble Telescope captured an image of Eta Carinae. This image consists of ultraviolet and visible light images from the High Resolution Channel of Hubble’s Advanced Camera for Surveys. The field of view is approximately 30 arcseconds across.

The larger of the two stars in the Eta Carinae system is a huge and unstable star that is nearing the end of its life, and the event that the 19th century astronomers observed was a stellar near-death experience. Scientists call these outbursts supernova impostor events, because they appear similar to supernovae but stop just short of destroying their star.

Although 19th century astronomers did not have telescopes powerful enough to see the 1843 outburst in detail, its effects can be studied today. The huge clouds of matter thrown out a century and a half ago, known as the Homunculus Nebula, have been a regular target for Hubble since its launch in 1990. This image, taken with the Advanced Camera for Surveys High Resolution Channel, is the most detailed yet, and shows how the material from the star was not thrown out in a uniform manner, but forms a huge dumbbell shape.

Eta Carinae is not only interesting because of its past, but also because of its future. It is one of the closest stars to Earth that is likely to explode in a supernova in the relatively near future (though in astronomical timescales the “near future” could still be a million years away). When it does, expect an impressive view from Earth, far brighter still than its last outburst: SN 2006gy, the brightest supernova ever observed, came from a star of the same type, though from a galaxy over 200 million light-years away.

Credit: ESA/NASA

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Feb
8th
Wed
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jacquelynclairecordova:

James Nachtwey. War Photographer. Watch the Documentary War Photography.

…I can’t explain how I feel this is the path of photography I want to follow…

And now I will bombard you with quotes that spoke to me. I hope you take the time to read them. They are…so truthful.

The main purpose of my work is to appear in the mass media. It’s not so much that I want my pictures to be looked upon as art objects as it is a form of communication. Whatever I did that accomplished something, I’m glad for it. But there’s always so much more to do. I’ve never felt complete; I’ve never felt satisfied. I wouldn’t say I could use the word ‘happy’ about it because its always involved other people’s tragedies and other people’s misfortunes. At best, there’s a kind of grim satisfaction that perhaps I brought some attention, and focused people’s attention on these problems. Perhaps it brought some relief. But its shifting sand that keeps moving. “

The worst thing is to feel that as a photographer I am benefiting from someone else’s tragedy. This idea haunts me. It’s something I have to reckon with every day because I know that if I ever allowed genuine compassion to be overtaken by personal ambition, I will have sold my soul. The only way I can justify my role is to have respect for the other person’s predicament. The extent to which I do that is the extent to which I become accepted by the other; and to that extent, I can accept myself. “

It’s more difficult to get publications to focus on issues that are more critical, that do not provide people with as escape from reality but attempt to get them deeper into reality. To be concerned about something much greater than themselves. And I think people are concerned. I think quite often, publishers don’t give their audience enough credit for that. In fact, at the end of the day, I believe people do want to know when there’s some major tragedy going on; when there’s some unacceptable situation happening in this world. And they want something done about it. That’s what I believe. We must look at it. We’re required to look at it. We’re requited to do what we can about it. If we don’t, who will? “

Why photograph war? Is it possible to put an end to a form of human behavior, which has existed throughout history, by the means of photography. “

In a way, if and individual assumes the risk of placing himself in the middle of a war to communicate to the rest of the world what’s happening, he’s trying to negotiate for peace. Perhaps that’s the reason for those in charge of perpetuating the war do not like to have photographers around. “

-ALL James Nachtwey

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Feb
7th
Tue
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missclarabow:

Che gioia vivere

missclarabow:

Che gioia vivere

Feb
1st
Wed
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(Source: shittime, via queer-fish)

Jan
28th
Sat
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missvoltairine:

materialworld:

REVOLUTIONARY WOMAN OF THE DAY: Lucy Parsons (circa 1853 – March 7, 1942) was a labor organizer, socialist, and legendary orator. Lucy was of Native American, Black, and Mexican ancestry, born in Texas as a slave. She moved to Chicago where she was a key organizer in the labor movement and also participated in revolutionary activism on behalf of political prisoners, people of color, the homeless, and women. She said, “We [women] are the slaves of slaves. We are exploited more ruthlessly than men.” We salute Lucy Parsons, known by the Chicago Police Department as “more dangerous than a thousand rioters”. Know your revolutionary women’s history.
via REVOLUTIONARY WOMAN OF THE DAY: Lucy Parsons | AF3IRM

always reblog Lucy Parsons.

missvoltairine:

materialworld:

REVOLUTIONARY WOMAN OF THE DAY: Lucy Parsons (circa 1853 – March 7, 1942) was a labor organizer, socialist, and legendary orator. Lucy was of Native American, Black, and Mexican ancestry, born in Texas as a slave. She moved to Chicago where she was a key organizer in the labor movement and also participated in revolutionary activism on behalf of political prisoners, people of color, the homeless, and women. She said, “We [women] are the slaves of slaves. We are exploited more ruthlessly than men.” We salute Lucy Parsons, known by the Chicago Police Department as “more dangerous than a thousand rioters”. Know your revolutionary women’s history.

via REVOLUTIONARY WOMAN OF THE DAY: Lucy Parsons | AF3IRM

always reblog Lucy Parsons.

(via rarelyinhistory)

Jan
26th
Thu
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rhamphotheca:

harryallard: stop reenforcing negative cell diameter stereotypes.

rhamphotheca:

harryallard: stop reenforcing negative cell diameter stereotypes.

(Source: wolfcircuitry, via beththeoxymoron)

Jan
24th
Tue
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